Deus in Adjutorium

By College Church Brass Ensemble

Deus in Adjutorium - Monteverdi, arr. J Jordan Claudio Monteverdi, an important figure bridging the Renaissance and Baroque periods, was director of music at St. Mark's Cathedral in Venice at a time when Italy was the center of European musical life. This setting, from a 1610 collection of vespers (used for evening prayers), uses text from Psalms 69 and 70: Make haste, O God, to deliver me; Make haste, O Lord, to help me. Glory be to the Father and to the Son and to the Holy Spirit. As it was in the beginning, is now, and ever shall be, without end. Amen. Hallelujah!

Hark I Hear the Harps Eternal

By College Church Brass Ensemble

Hark, I Hear the Harps Eternal - early American hymn tune (INVITATION), arr. Parker, trans. J Jordan Hark, I hear the harps eternal ringing on the farther shore, As I near those swollen waters with their deep and solemn roar. Refrain: Hallelujah, hallelujah, hallelujah, praise the Lamb! Hallelujah, hallelujah, glory to the great I AM! And my soul, tho’ stain’d with sorrow, fading as the light of day, Passes swiftly o’er those waters, to the city far away. Souls have cross’d before me, saintly, to that land of perfect rest; And I hear them singing faintly in the mansions of the blest. (Refrain)

The Church's One Foundation

By H. E. Singley, organist

History merely repeats itself. It has all been done before. Nothing under the sun is truly new.

Sometimes people say, “Here is something new!” But actually it is old; nothing is ever truly new.

We don’t remember what happened in the past, and in future generations,

no one will remember what we are doing now.

(Ecclesiastes 1:9-11, NLT)

 

With that encouraging (?) pronouncement, wise King Solomon reminds us of the ineluctable reality that history repeats itself. Maybe even more sobering are the words of Spanish philosopher and writer George Santayana who wrote in the early twentieth century, “Those who cannot remember the past are condemned to repeat it.”

As daunting, varied and vast as modern-age threats may be, they are part of the human condition in a fallen creation. Think, for instance, of the Thirty Years’ War in seventeenth-century central Europe. As many as eight million people died from the war and its heinous accomplices, protracted epidemics of disease such as bubonic plague and pervasive famine.

Yet, no one should minimize today’s afflictions. In many instances, we would do so to our own peril. Keeping the bigger picture, much as we are able, is imperative, nonetheless. One of my best friends from growing up years in Texas has had a lengthy pastorate in southern Wisconsin. In the face of adversity, he says, “We don’t need to think that God is sitting up in heaven wringing His hands.”

 

The foundations of law and order have collapsed. What can the righteous do?

But the Lord is in his holy Temple; the Lord still rules from heaven.

He watches everyone closely, examining every person on earth.

(Psalm 11:3-4, NLT)

 

In the face of shaking foundations, we profit from deliberating about that which is our only secure security. As portentous theological currents swirled around the world of his day, Anglican pastor Samuel Stone wrote a hymn of confidence and hope, one that Christians sing around the world. The hymn-tune most associated with these words, Aurelia, was composed by Samuel Sebastian Wesley, a grandson of Charles Wesley. In its simplicity and singability, the music appropriately supports the textual cadence. Take a moment to read and contemplate this elegant, well-proportioned and substantive poetry.

The church's one Foundation is Jesus Christ her Lord;

She is His new creation,by water and the Word;

From heav'n He came and sought her to be His holy bride;

With His own blood He bought her, and for her life He died.

 

Elect from ev'ry nation, yet one o'er all the earth,

Her charter of salvation, one Lord, one faith, one birth;

One holy Name she blesses, partakes one holy food,

And to one hope she presses, with ev'ry grace endued.

 

Tho' with a scornful wonder, men see her sore oppressed,

By schisms rent asunder, by heresies distressed,

Yet saints their watch are keeping, their cry goes up, "How long?"

And soon the night of weeping shall be the morn of song.

 

'Mid toil and tribulation, and tumult of her war,

She waits the consummation of peace for evermore;

Till with the vision glorious her longing eyes are blest,

And the great church victorious shall be the church at rest.

 

Yet she on earth hath union with God the Three in One,

And mystic sweet communion with those whose rest is won.

O happy ones and holy! Lord, give us grace that we,

Like them, the meek and lowly, on high may dwell with Thee.

Like so many hymns which have been filtered by the sieve of time and which valiantly serve our own context, these words are laced with Scripture. Look for Scriptural allusions–some obvious, others not so obvious. For example:

·       “His holy bride,” Ephesians 4:29-32, Revelation 21:9

·       “Elect from every nation, yet one over all the earth,” John 17:21; Revelation 5:9

·       “One Lord, one faith, one birth,” Ephesians 4:5

As Stone paints his portrait of the seemingly tottering reality through words, he writes of sore oppression, of distressing schisms, the cry of “How long?,” the toil, the tribulation, the war, the wait for consummation of it all in everlasting peace.

 By reason of the immutable foundation of Jesus Christ, our Lord, and His atoning work, we anticipate a morning of song! In the interim, in this “not yet,” we have union with the omniscient, omnipotent, omnipresent Triune God, the hope of the resurrection and being part–each of us–of the Church victorious and, ultimately, the Church at rest.

May that secure security sustain our courage, our fortitude, our perseverance in times of uncertainty.

“Anyone who listens to my teaching and follows it is wise, like a person who builds

a house on solid rock. Though the rain comes in torrents and

the floodwaters rise and the winds beat against that house,

it won’t collapse because it is built on bedrock.”

(Matthew 7:24-25, NLT)

 

For no one can lay any foundation other than

the one we already have—Jesus Christ.

(I Corinthians 3:11, NLT)

IDEAS FOR LISTENING

  • Listen for the melody of the hymn-tune throughout.

  • The music reflects three stanzas, all in a different key, all with a different stylistic approach.

  • You might think of the first, fourth and fifth stanzas as you hear the music.

  • Sing the hymn–words AND music–even if you’re by yourself!

Steadfast Love (Psalm 86)

By Erik Dewar, pastor of worship and music

Though so much around us is changing, the covenant love of our Lord is steadfast. May our hearts rejoice in the God who hears us, forgives us, and lavishes his grace upon us!

From Psalm 86

“Gladden the soul of your servant,

for to you, O Lord, do I lift up my soul.

For you, O Lord, are good and forgiving,

abounding in steadfast love to all who call upon you.

I give thanks to you, O Lord my God, with my whole heart,

and I will glorify your name forever.

For great is your steadfast love toward me;

…You, O Lord, are a God merciful and gracious,

slow to anger and abounding in steadfast love and faithfulness.”

Back to the Basics by Heather Owens

Heather and her husband, Daniel, and their two sons are College Church missionaries, serving the Lord in Vietnam.

Love is patient and kind; love does not envy or boast; it is not arrogant or rude. It does not insist on its own way; it is not irritable or resentful; it does not rejoice at wrongdoing, but rejoices with the truth. Love bears all things, believes all things, hopes all things, endures all things. (1 Corinthians 13:4-7)

We are embarking upon week ten of closures and social distancing here in Hanoi. In the past two weeks, I haven’t left the house at all except to walk a few hundred yards to the corner grocery to buy vegetables and eggs. We live in an up-and-down house in a row of up-and-down houses facing an apartment block, so we don’t have a yard or a place to be outdoors. We also don’t have a car, and now that public transportation is shut down, we couldn’t go out even if we wanted to risk being fined. My teenager told me he wishes he could just hibernate.

Our family is used to spending a lot of time together. We homeschool even when we don’t have to, and Daniel works part-time from our house even when the college is open. We always eat dinner as a family and often lunch as well. We like each other. We like spending time together. However, we are not immune to the irritation generated by these long days in each other’s company. Did I mention this is week ten? Our fuses are all a bit short and my threshold for annoyance is suddenly very slim. I’m wondering if I need a room to call my “growlery” like Mr. Jarndyce of Bleak House.

Somehow I never seem to graduate from Kindergarten when it comes to living and loving well. I keep having to go back to the basics. Be nice. Don’t be mean. Treat others the way you want to be treated. First Corinthians 13 is famously read at weddings, but its instructions certainly don’t end at the altar. These basic reminders spoke to my conscience this week.

“Love is patient and kind” even when towels are left crumpled on the floor or there is a sticky mess around the trash can. Love is not “arrogant or rude” forgetting that I too have grating habits and personality quirks. Love “does not insist on its own way” or declare the rest of the afternoon “me time.” It is not “irritable or resentful” when expected to provide the third meal of the day for the umpteenth day in a row. Love does not “rejoice at wrongdoing” or self-justify or make excuses. It speaks hard truth to my rotten attitudes. Love bears quarantine, believes God is in control, hopes for the good that will come, and endures quietly while we wait. 

Heather first posted this on her blog, In This Meantime.

Doxology

By College Church Brass Ensemble

Doxology - Bourgeois, arr. de Filippi French composer Loys Bourgeois wrote this melody, first printed in the Genevan Psalter of 1551 (the name OLD HUNDREDTH appeared about 100 years later). Englishman Thomas Ken added the familiar text in the early 1700s:

Praise God from Whom all blessings flow,

Praise Him, all creatures here below,

Praise Him above, ye heavenly host,

Praise Father, Son, and Holy Ghost.

Jesus Lives and So Shall I

By Erik Dewar, pastor of worship and music

The resurrection changes everything!

Because of Christ’s resurrection, we have faith that we will also be raised with him as his followers.

Jesus is our Hope and Trust!

1 Corinthians 15:19-22

If in Christ we have hope in this life only, we are of all people most to be pitied. But in fact Christ has been raised from the dead, the firstfruits of those who have fallen asleep. For as by a man came death, by a man has come also the resurrection of the dead. For as in Adam all die, so also in Christ shall all be made alive.

2 Corinthians 4:13-15

Since we have the same spirit of faith according to what has been written, “I believed, and so I spoke,” we also believe, and so we also speak, knowing that he who raised the Lord Jesus will raise us also with Jesus and bring us with you into his presence. For it is all for your sake, so that as grace extends to more and more people it may increase thanksgiving, to the glory of God.

He is risen, indeed! Alleluia!

Scripture quotations are from the ESV® Bible (The Holy Bible, English Standard Version®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved.

Rejoice Ye Pure in Heart

By H. E. Singley, organist

The Lord is God, and he has made his light shine on us.

With boughs in hand, join in the festal procession

up to the horns of the altar.

Psalm 118:27, NIV 

On one of my first journeys to Latin America to participate musically in several city-wide evangelistic efforts, the first day in one location featured a parade on a bright, sunny morning with hundreds of believers joining in a festive march through the village. Many bedecked themselves with brightly hued clothing distinctive of that region. At the front of the procession were homespun but obviously carefully made banners with verses like John 3:16 and invitations to attend the evangelistic rallies which were to commence that evening. That adventure reshaped earlier recollections I had of parades (such as marching in the Tournament of Roses parade as a tuba player in my high school band). 

At College Church, we also think of the festive banners which have graced our sanctuary through the years, representing remarkable skill, a palpable labor of love and a personal sacrifice of praise by the late Marge Gieser. Those exquisite “festal banners” draw our attention to the themes of Scripture as we are gathered for holy worship.

Some of our most familiar hymns have numerous words or phrases which point us to a passage of Scripture or even a particular—and possibly quite personal—memory we associate with our Christian pilgrimage. “Rejoice, Ye Pure in Heart” has a phrase which accomplishes just that, “Your festal banner wave on high.” This phrase often brings to mind the joyful procession I just mentioned in the highlands of Guatemala so many years ago. Then, those words lead me straightaway to the next phrase, “The cross of Christ your King.” We have the privilege of marching in the triumphal procession of our Lord—not ourselves as the triumphant ones—but as slaves of the One who conquered sin and death on the cross. That cross is our “festal banner!”

But thank God! He has made us his captives and continues

to lead us along in Christ’s triumphal procession.

II Corinthians 2:14a, NLT 

The poet who wrote “Rejoice, Ye Pure in Heart” was Edward Plumptre, an English biblical and theological scholar educated at King’s College, London, and Oxford University. He became a professor of pastoral theology and Bible exegesis while serving as a pastor. He wrote sacred poetry and translated earlier hymns. Arthur Henry Messiter was born in England and composed the hymn-tune commonly associated with this text, Marion. He came to the United States while in his twenties. Here, he served in the pastoral ministry of music for over thirty years.

 

Rejoice, ye pure in heart,
Rejoice, give thanks, and sing;
Your festal banner wave on high,
The cross of Christ your King.

Refrain:
Rejoice, rejoice, rejoice, give thanks and sing!

 

Bright youth and snow-crowned age,
Strong men and maidens fair,
Raise high your free, exulting song,
God's wondrous praise declare. (Refrain)


 With all the angel choirs,
With all the saints on earth,
Pour out the strains of joy and bliss,
True rapture, noblest mirth! (Refrain)

Yes, on through life's long path,
Still chanting as ye go;
From youth to age, by night and day,
In gladness and in woe. (Refrain)

Still lift your standard high,
Still march in firm array;
As warriors through the darkness toil
Till dawns the golden day. (Refrain)

 

Maybe one or more of these phrases will especially stand out to you when you sing this hymn on your own or as part of the singing congregation:

  • Bright youth and snow-crowned age, strong men and maidens fair . . . . God’s wondrous praise declare . . . .”

  • “. . . . all the angel choirs . . . .”

  • “. . . . all the saints on earth . . . .”

  • “. . . . in gladness and in woe . . . .”

  • “. . . . through the darkness toil till dawns the golden day.”

Christians of all ages—together with choirs of angels and every saint around the globe, whether in good spirits or deep affliction: press on to the golden day of final redemption! And, rejoice!

I press on to reach the end of the race and receive

the heavenly prize for which God, through Christ Jesus, is calling us.

Philippians 3:14, NLT

Always be full of joy in the Lord. I say it again—rejoice!

Philippians 4:4, NLT

IDEAS FOR LISTENING

  • Listen for the melody of the hymn-tune throughout.

  • The music reflects three of the five stanzas in Hymns for the Living Church, each in a different key, each with some difference in style.  

  • Sing the hymn–words AND music–even if you’re by yourself!